Spring 2025 Exhibitions

The following exhibitions open on January 21, 2025 and close on April 24, 2025.

The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality

Stacey Miller bought her first hat in 1979, when she joined a group of Spanish travelers driving from Madrid to India on a four-month overland adventure. A simple cloth skullcap from Istanbul, it seemed a perfect souvenir—inexpensive, easy to stow away, and evocative of the culture. Thirteen hundred hats later, her company, Hat Horizons, is dedicated to promoting awareness and understanding of cultures through headwear. The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality was jointly organized by Stacey W. Miller and International Arts & Artists, Washington, DC.

Ingrained: Celebrating Pennsylvania’s Cultural Heritage

Rooted in the deep traditional art of Pennsylvania, the regional collection of the Phillips Museum highlights the distinctive and colorful ways that immigrant populations celebrated their native countries’ stylistic heritage. This exhibition focuses on the material culture of the Southeast region of Pennsylvania and the processes used to create the ceramics, metalwork, furniture, painting, and textiles that are part of the fabric of 18th and 19th century Lancaster.

Sue Reno: The Enduring Beauty of the Susquehanna River

The Susquehanna River is a major source of inspiration for Sue Reno, who grew up in a house on a hill overlooking it. When she moved to Lancaster to attend Franklin & Marshall she began to explore the river hills in earnest, her enthusiasm deepened during subsequent decades spent living near the Northeast Lancaster County River Trail. “Most of all, I’ve come to appreciate how incredibly beautiful, and ever-changing in its aspects, the Susquehanna is. It’s been a privilege and a pleasure to spend time interpreting my impressions using the art quilt medium.” (Sue Reno)

Tools & Totems: Artwork by Rebecca Szeto

In the Paintbrush Portraits series artist Rebecca Szeto, a native San Franciscan and first-generation Chinese American, uses humble, discarded materials inspired by her experience as a faux finisher for new-build homes in California’s wealthy neighborhoods and her classical art education The paintbrush portraits evolved into narratives about outstanding women in the past, many historically unseen and undocumented. In the Totem series, whittling down to the essence, Szeto explores “profound simplicity” as a balance between how much can be taken away in a material or form while preserving the greatest sense of richness and meaning.

Natural Influences: The Lasting Impressions of Birds in Art

This exhibition highlights objects and artwork from the Phillips Museum's permanent collection that incorporate birds into the artistry. From textiles, to drawings and paintings, to sculpture, ceramics, and glass, birds have been a constant human interest displayed in artwork for thousands of years and continue to serve as an inspiration for communities all over the world.